Possessions Indigenous Art / Colonial Culture / Decolonization

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  • Engels
  • Hardcover
  • 9780500296592
  • 07 juli 2022
  • 368 pagina's
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A timely re-examination of European engagements with indigenous art and the presence of indigenous art in the contemporary art world. The arts of Africa, Oceania and native America famously inspired twentieth-century modernist artists such as Picasso, Matisse and Ernst. The politics of such stimulus, however, have long been highly contentious: was this a cross-cultural discovery to be celebrated, or just one more example of Western colonial appropriation? This revelatory book explores cross-cultural art through the lens of settler societies such as Australia and New Zealand, where Europeans made new nations, displacing and outnumbering but never eclipsing native peoples. In this dynamic of dispossession and resistance, visual art has loomed large. Settler artists and designers drew upon Indigenous motifs and styles in their search for distinctive identities. Yet powerful Indigenous art traditions have asserted the presence of First Nations peoples and their claims to place, history and sovereignty. Cultural exchange has been a two-way process, and an unpredictable one: contemporary Indigenous art draws on global contemporary practice, but moves beyond a bland affirmation of hybrid identities to insist on the enduring values and attachment to place of Indigenous peoples.

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Inhoud

Taal
en
Bindwijze
Hardcover
Oorspronkelijke releasedatum
07 juli 2022
Aantal pagina's
368
Illustraties
Met illustraties

Betrokkenen

Hoofdauteur
Nicholas Thomas
Hoofduitgeverij
Thames & Hudson Ltd

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Editie
2
Product breedte
153 mm
Product lengte
234 mm
Studieboek
Nee
Verpakking breedte
153 mm
Verpakking hoogte
234 mm
Verpakking lengte
234 mm
Verpakkingsgewicht
1070 g

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EAN
9780500296592

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