Painting in Stone Architecture and the Poetics of Marble from Antiquity to the Enlightenment
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Auteur:
Fabio Barry
- Engels
- Paperback
- 9780300248173
- 07 december 2021
- 432 pagina's
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A sweeping history of premodern architecture told through the material of stone
A sweeping history of premodern architecture told through the material of stone
Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
A sweeping history of premodern architecture told through the material of stone
Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
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- Bindwijze
- Paperback
- Oorspronkelijke releasedatum
- 07 december 2021
- Aantal pagina's
- 432
- Illustraties
- Nee
Betrokkenen
- Hoofdauteur
- Fabio Barry
- Hoofduitgeverij
- Yale University Press
Overige kenmerken
- Product breedte
- 216 mm
- Product hoogte
- 25 mm
- Product lengte
- 279 mm
- Studieboek
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- Verpakking breedte
- 216 mm
- Verpakking hoogte
- 26 mm
- Verpakking lengte
- 276 mm
- Verpakkingsgewicht
- 1290 g
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- EAN
- 9780300248173
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- Engels
- Stroming of stijl
- Barok, Renaissance, Rococo, Middeleeuwse stijl
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