The Dimensions of Difference Space, Time, and Bodies in Women's Cinema and Continental Philosophy
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Auteur:
Caroline Godart
- Engels
- Hardcover
- 9781783486540
- 18 december 2015
- 154 pagina's
Samenvatting
The Dimensions of Difference examines space, time, and bodies in the works of three contemporary women directors and four continental philosophers, leading to a new approach to the question of sexual difference and its place within film criticism.
The Dimensions of Difference departs from traditional takes on feminist film criticism, and in particular from the psychoanalytical focus on the gaze, to examine the question of sexual difference through three axes: space, time, and bodies. These are some of the most fundamental elements of cinema, which deploys the bodies of actors through space and time, for instance, through camerawork and editing. While this approach may not at first sight seem to be related to questions of gender and sexuality, Caroline Godart demonstrates its relevance to feminist film studies by weaving together careful analyses of space, time, and bodies in women’s cinema with close readings of the same concepts in the works of three philosophers: Luce Irigaray, Henri Bergson, and Gilles Deleuze. The book investigates how certain films generate a cinematic experience of sexual difference, and frames this analysis within a careful philosophical inquiry into the notion of alterity itself. These tools provide fruitful resources for feminist inquiry, giving insights into sexual difference as it operates within film aesthetics and, beyond cinema, in the world at large. The result is a compelling reflection on feminism, film form, and continental philosophy.
The Dimensions of Difference departs from traditional takes on feminist film criticism, and in particular from the psychoanalytical focus on the gaze, to examine the question of sexual difference through three axes: space, time, and bodies. These are some of the most fundamental elements of cinema, which deploys the bodies of actors through space and time, for instance, through camerawork and editing. While this approach may not at first sight seem to be related to questions of gender and sexuality, Caroline Godart demonstrates its relevance to feminist film studies by weaving together careful analyses of space, time, and bodies in women’s cinema with close readings of the same concepts in the works of three philosophers: Luce Irigaray, Henri Bergson, and Gilles Deleuze. The book investigates how certain films generate a cinematic experience of sexual difference, and frames this analysis within a careful philosophical inquiry into the notion of alterity itself. These tools provide fruitful resources for feminist inquiry, giving insights into sexual difference as it operates within film aesthetics and, beyond cinema, in the world at large. The result is a compelling reflection on feminism, film form, and continental philosophy.
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- Bindwijze
- Hardcover
- Oorspronkelijke releasedatum
- 18 december 2015
- Aantal pagina's
- 154
- Illustraties
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Betrokkenen
- Hoofdauteur
- Caroline Godart
- Hoofduitgeverij
- Rowman & Littlefield International
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- Extra groot lettertype
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- Product breedte
- 155 mm
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- 20 mm
- Product lengte
- 231 mm
- Studieboek
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- 159 mm
- Verpakking hoogte
- 17 mm
- Verpakking lengte
- 237 mm
- Verpakkingsgewicht
- 417 g
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- EAN
- 9781783486540
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- Stroming of stijl
- Structuralisme & Post-structuralisme
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